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There were two schools of thought: natural wood versus white-painted wood, but I liked the way the natural wood looked.
 
 

 
 
Eye-Popping Color
Artist, author, and entrepreneur Carol Bass painted her Maine island cottage with a palette of intense color.
 
 
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Rustic Rebuild
Using natural materials and classic forms, architect Mark Hutker designed a haven on Martha's Vineyard.

photography: Erik Johnson
Mark designed the sliding barn doors to withstand winter weather and give the house an older feel. "At the turn of the 20th century this land would have been a farm," he says. The Baths spend many summer days relaxing on the deck. "We have lots of guests and do most of our evening entertaining out here," Sydney says.

Bath dining table
photography: Erik Johnson
For the dining room, designer Liz Stiving-Nichols ordered a table from Vintage Perkins, a company that utilizes reclaimed wood. The tabletop is "walked-smooth pine" from the floors of a mid-19th-century church.
Blake and Sydney bath loved the small rustic cottage they found atop a hill on Martha's Vineyard, but after three years of making-do with the space they had, their family of five needed a bit more room. Their first thought was to add on a modest addition, "but we ran into some issues with Massachusetts laws," says Sydney. That's when they turned to local architect Mark Hutker.

If you're going to build, Mark says, "You've got to do it right." Together, the architect and his clients ended up constructing an entirely new cottage around the remains of the old one.

"There's a lot of architecture that brings attention to itself," Mark says, "but we wanted this new house to be recessive and modest. I wanted an uncomplicated and strong silhouette, much like the solitary barn bracing itself against the winter weather in an Andrew Wyeth painting."


Bath blue wall
photography: Erik Johnson
Bright colors in the house make it “kid-friendly and more fun,” says Liz. Sliding barn doors here help separate the TV nook from the kitchen, dining, and family spaces.


Enduring the elements is something this house does well. "The entry is designed to be very low and braced to the Nor'easters that blow through there," Mark says. "We designed barn doors that you can close to ward off the weather, but as you walk in to the house, all of a sudden the spaces open to the southwest to the light and the view."

Bath cubbies
photography: Erik Johnson
In the usually wasted space under the stairs, cubbies keep the kids organized and make life easier: “We’re in a remote area and going to the grocery store is sometimes more trouble than you want,” explains Sydney. “We have all sorts of stuff stored in those drawers to get us from week to week.”
Outside, he used natural building materials, such as white cedar siding and Alaskan yellow cedar shingles, because "we wanted the house to weather over time and reflect the character of the windswept environment." Left untreated, the wood will season to a soft silvery gray from exposure to rain, salt, and sun, "just like the bark on the oak trees nearby."

Sunlight filters through copper skylights into the very center of the house, where every wall is covered in horizontal V-groove Douglas fir. "This is a wood house inside and out," Mark says. "I don't think there's a bit of Sheetrock in it." And that's just how the Baths like it. Sydney says, "There were two schools of thought: natural wood versus white-painted wood, but I liked the way the natural wood looked." She took her neutral canvas and, with the help of Hutker Architects designer Liz Stiving-Nichols, punctuated it with bursts of bright color. "We wanted to really appreciate the wood," Liz says. So she found bright blue chairs and colorful rugs to break up the expanses of natural wood grain throughout the house.

Using intense colors can be surprising. "Before putting the orange hand-painted subway tiles in my bathroom, one of the contractors came to make sure it was the right color because it was so bright," Sydney says. "But like he said, ‘This house can take a lot of color. It just gobbles it up.' "

Bath bedroom desk
photography: Erik Johnson
Built-ins in these areas make the house more efficient. In Sydney and Blake’s bedroom, the fir dresser and desk on the south wall provide convenient, attractive storage.
Since the house has an open floor plan, Liz used color to distinguish different rooms. For example, she gave formal spaces a more mature palette than the family rooms. The spacious kitchen, for instance, sports countertops with a bright blue engineered quartz surface that Sydney loves. Some of her other favorite touches are the custom-made sliding barn doors that divide a television nook from the kitchen, and a set of drawers and cubbies under the stairs.

Mark also designed a built-in desk and dresser for the master bedroom, and cabinets and shelving units in the family room. "We like to accommodate clients' storage needs within the wall spaces," Mark says. "A home should be supporting and enclosing—these are the things that make a house feel more like a home."

Mark's favorite part of the Baths' cottage is their dining room and the way it seamlessly flows onto the back deck through French doors. He also loves the reclaimed heart-pine floor and the treatment the Baths gave it in this room. They painted the floorboards in a diamond pattern then sanded over them to reveal the grain of the wood. This "rug" anchors the dining table and adds an eye-catching twist.


Hutker/Bath home
photography: Erik Johnson


Despite the renovations, the main attraction at Sydney and Blake's home remains the view. "Our house is set on a hill that slopes down into a bay and marsh," Sydney says. "Mark was trying to build in a few long walls to hang art on, but I said, ‘I don't need any art walls—the art is outside.' "

Sources
Architect: Hutker Architects, Inc.; 508/692-3344 or hutkerarchitects.com
Windows and exterior doors: Marvin Windows and Doors; marvin.com
Dining table: Vintage Perkins,LLC;207/373-0300
Dining chairs: Daisy from Maine Cottage; mainecottage.com